Carlotta
Fiasella
Two appearances at the Venice International Film Festival. Two distinct expressions of High Jewellery by Vitale 1913.
Choose a look below ↓
Jewellery made
for the moment.
Carlotta Fiasella wearing High Jewellery by Vitale 1913 on the red carpet of the Venice International Film Festival.
01 / 02
A first
red-carpet
chapter.
During the 2026 Venice International Film Festival, Carlotta Fiasella stepped onto the red carpet wearing High Jewellery by Vitale 1913.
The appearance brought together contemporary red-carpet style, exceptional jewellery and the distinctive character of natural gemstones.
As part of my work with Vitale 1913, Venice represents what fascinates me most about jewellery: the moment craftsmanship becomes part of a person, an occasion and a story.
Venice,
in motion.
Beyond the
red carpet.
Behind every public appearance there is a more personal side of the story: the conversations, the preparation and the people who make the moment possible.
The pink
citrine.
A second Venice appearance centred on a one-of-a-kind Vitale 1913 collier featuring a 28.71 ct pink citrine and selected natural diamonds.
02 / 02
A stone
that holds
the eye.
On 10 September 2026, Carlotta Fiasella returned to the Venice red carpet wearing a second High Jewellery look by Vitale 1913.
At the centre of the composition was a sculptural collier built around a remarkable 28.71 ct pink citrine, chosen to command the look through colour, scale and light.
Selected natural diamonds frame the centre stone, amplifying its presence while preserving the clarity and balance of the overall design.
28.71 ct
of colour.
The protagonist of the second look is the collier itself: an exceptional centre stone with a soft pink tone, held within a composition of selected natural diamonds.
Rather than acting as a finishing detail, the necklace defines the silhouette of the look — bringing the eye directly to the neckline and allowing the gemstone to become the focal point of the red-carpet image.
The second
arrival.
After the
red carpet.
Away from the step-and-repeat, the jewellery shifts character. These portraits bring the focus closer — to texture, gesture, the neckline and the relationship between the stone and the person wearing it.
Jewellery,
people,
occasion.
For me, the most interesting part of High Jewellery is not only the object itself, but the moment in which it becomes personal.
Venice is exactly that: a meeting point between creation, styling, relationships and the energy of an occasion that exists only once.
Two looks.
Two moments.
One language
of jewellery.
Jewellery.
People. Moments.
A personal perspective on exceptional jewellery, rare gemstones and the people and occasions that give each creation its meaning. Curated by Tommaso Bazzano from Monaco.
